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The Blaft Anthology of Tamil Pulp Fiction (Volume 1)

In Novels on September 11, 2010 by admin Tagged: , , ,

Of crime fighting damsels, revengeful Goddesses and much more, published by Blaft Publications

A sari clad south Indian beauty brandishing a pistol looks seductively out at the reader from the cover of The Blaft Anthology of Tamil Pulp fiction. And while the cover is not what you would typically expect from a collection of English short stories, the buxom gun toting woman sure sets the tone for what lies ahead.

Compiled by Pritham. K. Chakravarthy, the anthology comprises of seventeen stories, including one excerpt from a serialized novel, all translated from Tamil. What sets this anthology apart from others in its genre is that the stories in this volume come exclusively from publications categorized as ‘Pulp fiction’. ‘The book is an attempt to claim the status of literature’ for such writing, as the translator’s note makes clear right at the beginning. With pieces selected from popular writers like Ramanichandran to crazily prolific writers like Indra Soundar Rajan and Rajesh Kumar to old favourites like Tamilvannan amongst others, the collection has a selection that is not only diverse but also intriguing.

Suspense in the detective stories, grittiness in the narrative about the brothels of North India, rebirth and romance are just some of the flavours that the reader can look forward to in this collection. Rajesh Kumar’s Idhaya 2020 and Silicon Hearts have distinct shades of Asimov’s science fiction tales. Me by Vidya Subramaniam is a strongly feminist piece of short fiction penned in 1987. Dim Lights, Blazing Hearts by Ramanichandran is a roller coaster tale of romance reminiscent of the Mills and Boons of the eighties and nineties. However the highlights of the collection are by far the detective stories with their twists and turns, the voluptuous women detectives and their charming male partners, the exotic locations, the action and general spiciness of it all. From Hurricane Vaij, to Sweetheart Please Die, and Tokyo Rose, the detective and crime stories outshine almost all of the other stories in the book. The only stories that seem a little too regressive despite being written in 2005 and 2007 are A Murder and A Few Mysteries and Revenge by Prajanand V.K.

Though the stories were originally penned in the Tamil spoken by the masses, Chakravarthy’s translation seems to have done them justice. There are rarely instances where the reader is at a loss to understand the context and characters that in some stories are Tamilian to the core. However the detailed endnotes will help any reader from a non-Tamilian background to get over any stumbling blocks they might face in enjoying the stories.

Priced at Rs. 395 and brought out by the independent publishing house Blaft publications, The Blaft Anthology of Tamil Pulp Fiction (Volume I) is available in all leading bookstores as well as from online bookstores. For the intriguing stories and the reproduction of the often wacky cover art of the original publications, this book is a must-read for anyone who loves short fiction of a different kind.

- Shweta Ganesh Kumar

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Close-up: Memoirs of a Life on Stage & Screen

In Adult Non-Fiction, Biographies & Memoirs on September 11, 2010 by admin Tagged: , , ,

Published by Women Unlimited (2010)

Close-up: Memoirs of a Life on Stage & Screen captures the essence of Zohra Segal.  Her honesty and comfort in her own skin resonates with the reader right from the introduction.  Segal is not a believer in rituals, her statement that her children should just flush her ashes down the toilet is evident of the same.

The book begins by embarking on her genealogy. Though interesting to read it fails to quite fit in with the rest of the book.  At one point, Segal shares, “Life…this endless conversation with oneself: silent in sanity, audible in madness,” a captivating quote that leaves the reader wondering what dark secrets might be revealed along the way.

From her childhood in Lahore, to pursuing a diploma in dance in Germany, to teaching at Uday Shankar’s dance centre in Almora, to becoming a co-director with her husband Kameshwar at the Zoresh Dance Institute in Lahore and dance-director of Prithvi Theatres in Bombay for 14 years, to years spent in the UK, Zohra Segal bares her whole existence to the reader.

Her narration of a journey to Germany by road helps capture her personality along with her ability to be comfortable with the unknown.  A chunk of her time in Europe apart from her studies was spent watching plays and exploring the creative world around her.

Life for Segal is one of constant journeys, whether on Indian or foreign soil.  Each part of her life revolves around the world of creativity, on stage, on screen or even behind the curtains.  What remains striking throughout is Segal’s appreciation of others and their contributions to the artistic world.

Segal’s insight into her own talents and shortcomings comes through naturally in her writing.  She does not shy away in humbly stating, “I am a fairly good actress though not as brilliant as some Indian artistes whose names have not acquired recognition.”

The glitter in her eyes, the childlike qualities reflected; along with the immense love for her husband, her children, her family and her significant others is part of her narration.  The letters from Prithviraj Kapoor addressed to her capture her special relationship and bond with him.

Personally, it is difficult to remain unaffected by some major event in Segal’s life as you continue turning the pages.  An interest in the world of creativity, a curiosity to understand the reasons behind her heartfelt smile, should make you just pick up the book.  Be prepared to forget all that is required to be completed during the day except possibly continuing reading.

A strong feeling remained that the story was yet to be completed.  A desire for a sequel to years lived out since, yet to live and events to be shared in the future allow you to finally put down the book with a sigh of satisfaction.

- Bharati Borah

In the capacity of a researcher, Bharti M. Borah has mostly focused on gender, children and education issues.  An M.Phil in Psychology, she aims to make a difference to society so that each individual has a chance to grow, experience and learn how to be a better human being.  She is currently working for a Career and Education magazine based in New Delhi, India called Careers360.

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Book Review: The Blaft Anthology of Tamil Pulp Fiction, Vol. 2

In Short Stories & Essays on August 23, 2010 by admin Tagged: , , ,

The Blaft Anthology of Tamil Pulp Fiction (vol II), is a collection of short stories by various authors. Translated by Pritham K. Chakravarthy, edited by Rakesh Khanna and published by Blaft Publications, Chennai (2008)

Pritham K. Chakravarthy continues her interest in exploring the various roles played by a woman in the Tamil literature through the stories selected for this volume. The stories are woman centric, and shows all her ‘avatars’, an anxious mother, a brave girlfriend, the victim, the saviour, etc.

The stories revolve around theft, robbery, murder and occult. What’s interesting is how a love story seems to be woven into the plot and finds its relevance as the story progresses. It generates a medley of emotions within the readers mind. As you read, curiosity rises and one finds himself experiencing, fear, thrill, disgust, hope and longing… and most importantly, romance.

Most stories revolve around family traditions, legends surrounding royal families, religious rituals, superstition and science fiction. Of how superstition prevails through generations, and how faith and determination eventually finds a way out. It however does not attack individual beliefs in the occult. The reader may feel lost initially and find it difficult to keep up with numerous characters springing up, with names that are difficult to pronounce. But it is a matter of getting used to the Tamil names and relations.

Power is another aspect which is explored to the fullest in the stories. Be it power of the cult, the man, the woman, or be it political power, but it strongly shows the human need to control. Most of the actions emerge from the characters’ urge to fulfil this side, no matter what form it takes. The fear (thrill/suspense ) factor remains constant throughout making the book even more gripping. You eagerly await the next incidence, and yet do not want to lose the sense of the present happenings in the story. The narration is brilliant, for you feel you are watching a movie rather than reading a book. The scenes flash before your eyes, and the fear grips you and plays on your imagination. This is a must read for all those who enjoy experiencing a sense of awe, wonder and even horror. Most of the incidences are self explanatory as you will realise at the end of every story. Everything falls into place. The details are beautifully scattered everywhere and you can’t help smiling at the cleverness of the narrator. The description of the characters and the places is detailed enough to make the journey through these stories extremely vivid. The narration by each author is superb and that proves to say that the translation has been excellent. You are immediately transported into the Tamil culture and the bygone days. Though the words are in English, you kind of get the feel of Tamil dialect. The relations are described quite aptly through the terms of address (of which there is a detailed glossary in the end), helping you build a mental family tree.

Though one may not be able to read the original version, it still is the translation which has made all difference. You get a glimpse of the Tamil culture and the essence is not lost through translation. You are simply experiencing in English what originally was written in Tamil. This book is definitely worth a read.

- Prarthana Patil

A Bachelor of Science with a Diploma in Fashion, Prarthana is currently pursuing her studies in Indian Aesthetics. Having been in the teaching profession for more than 10 years, books have become a part of her daily life. She enjoys traveling and reading. Besides books on design, she read fiction, literature (English and Marathi), philosophy, folk tales and poetry.

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Welcome!

In Miscellaneous on June 29, 2010 by admin

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